High Heels and Low Lifes
- Minne Driver (Good Will Hunting) and Mary McCormack (Mystery, Alaska) star as best friends who take on low-life thieves in this hilarious high-energy action-comedy. It all starts when Shannon (Driver), a nurse at a London emergency room, and Frances (McCormack), a struggling American actress, overhear bank robbers on a radio scanner making off with a fortune. They make contact and demand a cut at
A gentle, pleasing romantic comedy, Return to Me marks the directorial debut of Bonnie Hunt, an acclaimed actress known most famously for her role as Renee Zellweger's sister in Jerry Maguire. A shining, happy bright spot in whatever role she's in, Hunt has also invested the film with her trademark brand of humor: dry but sincere, sarcastic but not caustic, and with a deep current of humanity and romance. In the midst of all the permutations that fate surrounds them with, Driver and Duchovny make a pleasantly low-key couple; the triumph of the film is that despite all the contrived angst, the romance is never overly saccharine. They provide a quiet center in a film that has a fair amount of chaos in it, pa! rticularly due to Driver's extended family of Irish and Italian relatives (which occasionally tips the film into cutesy territory) and most hilariously to Driver's best friend, played by director Hunt . As a harried mother with innumerable kids and a likable oaf of a husband (James Belushi), Hunt again steals scenes effortlessly; Belushi is a comic revelation, better than he's been in years. You'll have the pleasant memories of both of these couples--one falling in love, one together for years--with you a long while after seeing this film. --Mark EnglehartMinnie Drivers new CD SEASTORIES explores new musical territory, from the rich sonic textures of "Beloved" to the bluesy soul of "Cold Dark River" to the seductive minor key groove of "Mockingbird" to the poetic chamber folk of "Lakewater Hair." Producer Marc "Doc" Dauer and guest musicians Ryan Adams and The Cardinals, Liz Phair and Rami Jaffee (The Wallfowers) match but never overwhelm Driver's vivid lyrics! , soaring melodies and spirited performances on this thoroughl! y pleasi ng collection of intelligent pop.
"A Triple A Triumph."- Chuck Taylor (Billboard Magazine)
"Driver proves to be Hollywood's soulful surprise." - Gabe Guarente (US Weekly)
"A Minnie-Splendored Thing... Anybody who dismissed Minnie Driver's debut as just the whim of another moonlighting actress will have a hard time denying her now." - Brian Mansfield (USA Today)
"Driver is clearly a confident performer and a songwriter with a style both evocative and economical." - Kevin Bronson (Los Angeles Times)Minnie Driver is hardly the first starlet to dive into pop music, but on her second album she stretches out for Americana credibility--and only partially succeeds. Writing every song on the album (with just a few musical assists from producer Marc "Doc" Dauer), she positions herself somewhere between Suzanne Vega and Sheryl Crow, getting help from alt-country and roots-rock illuminati Jonny Polansky, Neil Casal, Eric Heywood, Ryan Adams, and Rami Jaffee. T! he album has a wafting, acoustic-pop ambience, with a few country rockers driving home her serviceably sexy vocals. The problem is her songs barely rise to the level of a Jewel chapbook. Driver obsesses over her own erotic-spiritual journey, and can often create a plaintive, sensual mood, but the material lacks the universal touch of an inspired singer-songwriter. Head-scratching lines like "If love is the answer you seek, you're asking the wrong kind of questions" and "When my shadow cuts my life in two, I can see the best of me is you" suggest she yearns to make a personal statement. Crafting her stories or honing her hooks would have been more convincing. --Roy KastenMinnie Driver (GOOD WILL HUNTING) and Mary McCormack (GUN SHY) star as best friends who take on low-live thieves in this hilarious high-energy action-comedy. It all starts when Shannon (Drier), a nurse at a London emergency room, and Frances (McCormack), a struggling American actress, overhear bank ro! bbers on a radio scanner making off with a fortune. They make ! contact and demand a cut of the loot. But when the stubborn felons refuse to hand over a penny and threaten their lives in return, the girls decide to raise the stakes and give the thugs a run for their money! Packed with daring heists, double-crossings, and high-speed hilarity, HIGH HEELS AND LOW LIFES is the most fun you can have this side of the law.Supremely silly and entirely entertaining, High Heels and Low Lifes begins with a high-tech bank robbery--into the middle of which stumble Shannon (Minnie Driver) and Frances (Mary McCormack), who have gone out and gotten drunk because Shannon's boyfriend forgot her birthday. Thanks to this same boyfriend's surveillance equipment (on which he was creating his "urban noise symphony installation"), they end up with a cell phone number belonging to one of the thieves and decide to experiment with blackmail--an experiment that soon gets them into deep trouble. None of this is remotely plausible, but the breezy script keeps ! taking surprising twists, Driver and McCormack are an engaging duo (and they run to and fro in tight, stylish outfits), and the movie is directed with flair. Fun, frivolous, and unexpected. --Bret Fetzer