Dedication

• Dedication is a modern love story in which a misanthropic, emotionally complex children s book author named Henry is forced to team up with a beautiful illustrator after his best friend and creative collaborator passes away. As Henry struggles with letting go of the ghosts of love and life, he discovers that sometimes you have to take a gamble at life to find love. Format: DVD MOVIE Genre:&n

Dedication is a modern love story in which a misanthropic, emotionally complex children’s book author named Henry is forced to team up with a beautiful illustrator after his best friend and creative collaborator passes away. As Henry struggles with letting go of the ghosts of love and life, he discovers that sometimes you have to take a gamble at life to find love.At first glance, Justin Theroux's directorial debut looks like a romantic comedy, but it's really a character study. And misanthropic childr! en's book author Henry (Billy Crudup, who worked with Theroux in Broadway's Three Sisters) is one heck of a character. For inspiration, he turns to the Japanese cult classic Gamera. When feeling stressed, he piles books on his prone chest. Henry has worked with illustrator Rudy (Tom Wilkinson, Crudup's Stage Beauty co-star) for 15 years when the unthinkable happens. Contractually obligated to produce another Marty the Beaver adventure, his agent (Bob Balaban) partners him with doctoral-candidate-turned-artist Lucy (Mandy Moore). While Henry mourns his only friend, Lucy nurses a broken heart--her mother/landlord (Dianne Wiest) has just evicted her and her boyfriend/thesis advisor (Martin Freeman) has just dumped her. It's discomfort at first sight, but feelings soften as these wounded personalities learn to work--and heal--together. You can see the conclusion coming from a mile away, and Moore's character is underwritten (David Bromberg penned the! script), but Crudup makes what could be an indie film cliché! --the Ne w York neurotic--almost seem fresh. As for Theroux, a busy actor best known for his movies with David Lynch, like Mulholland Drive, the first-timer has a sharp eye for the arresting image and a discriminating ear for the evocative tune--the soundtrack includes music by alternative rock favorites Deerhoof, Cat Power, and Joanna Newsom. --Kathleen C. Fennessy

Party Down: Season 1

• PARTY DOWN SEASON 1 (DVD MOVIE)

Studio: Echo Bridge Home Ent Release Date: 04/19/2011 Run time: 91 minutes Rating: Pg13Hot screen favorites Freddie Prinze Jr. (SHE'S ALL THAT, I KNOW WHAT YOU DID LAST SUMMER) and Julia Stiles (10 THINGS I HATE ABOUT YOU) sizzle in a fun and sexy comedy where the magic of first love collides with the challenges of real life! From the moment they meet amid the chaos of college in New York City, Al (Prinze) and Imogen (Stiles) begin a romantic journey where true love often competes with the temptation to stray from commitment! As time passes and an outrageous array of friends enter the scene, they'll celebrate all the highs and confront all the lows that greet their passionate affair. Also featuring Henry Winkler (THE WATERBOY), Selma Blair (CRUEL INTENTIONS), and Shawn Hatosy (OUTSIDE PROVIDENCE, THE FACULTY) in a stellar cast -- you'll want to join this irr! esistible couple as they face the future ... with some wildly unexpected results!Al (Freddie Prinze Jr., from She's All That and I Know What You Did Last Summer) and Imogen (Julia Stiles from 10 Things I Hate About You) take turns narrating the story of their college romance. Al has a celebrity chef for a father (an amusing turn from Henry Winkler) and a rising porn star for a best friend (Zak Orth). The dialogue is stale, the story flounders, and the movie can't seem to decide whether it wants to be a sweet romance or a social satire. Down to You keeps dropping into odd fantasy bits that have nothing to do with, well, much of anything. But all the stars--including Selma Blair (Cruel Intentions) and Shawn Hatosy (Outside Providence) are pleasant and well groomed (well, except for Hatosy, who bears the brunt of being the poster boy for every fad of the '90s), and the soundtrack (featuring Cibo Matto, early David Bowie, Yo La Tengo,! and others) is excellent. --Bret FetzerHot screen favo! rites Fr eddie Prinze Jr. (SHE'S ALL THAT, I KNOW WHAT YOU DID LAST SUMMER) and Julia Stiles (10 THINGS I HATE ABOUT YOU) sizzle in a fun and sexy comedy where the magic of first love collides with the challenges of real life! From the moment they meet amid the chaos of college in New York City, Al (Prinze) and Imogen (Stiles) begin a romantic journey where true love often competes with the temptation to stray from commitment! As time passes and an outrageous array of friends enter the scene, they'll celebrate all the highs and confront all the lows that greet their passionate affair. Also featuring Henry Winkler (THE WATERBOY), Selma Blair (CRUEL INTENTIONS), and Shawn Hatosy (OUTSIDE PROVIDENCE, THE FACULTY) in a stellar cast -- you'll want to join this irresistible couple as they face the future ... with some wildly unexpected results!Al (Freddie Prinze Jr., from She's All That and I Know What You Did Last Summer) and Imogen (Julia Stiles from 10 Things I Hate A! bout You) take turns narrating the story of their college romance. Al has a celebrity chef for a father (an amusing turn from Henry Winkler) and a rising porn star for a best friend (Zak Orth). The dialogue is stale, the story flounders, and the movie can't seem to decide whether it wants to be a sweet romance or a social satire. Down to You keeps dropping into odd fantasy bits that have nothing to do with, well, much of anything. But all the stars--including Selma Blair (Cruel Intentions) and Shawn Hatosy (Outside Providence) are pleasant and well groomed (well, except for Hatosy, who bears the brunt of being the poster boy for every fad of the '90s), and the soundtrack (featuring Cibo Matto, early David Bowie, Yo La Tengo, and others) is excellent. --Bret FetzerAn irresistible cast of Hollywood's young faces star in this fun, sexy comedy hit about the power of attraction and the pressures of popularity! Stung when his bombshell girlfriend a! bruptly dumps him for a TV celebrity, big man on campus Zack S! iler (Fr eddie Prinze Jr., SCOOBY-DOO, BOYS AND GIRLS, DOWN TO YOU) wagers with a classmate he can quickly turn any girl -- even the school's biggest geek, Laney Boggs (Rachel Leigh Cook, TEXAS RANGERS, JOSIE AND THE PUSSYCATS) -- into the prom queen! He wasn't, however, betting on falling in love! After an amazing makeover, Laney is transformed from nobody to knockout ... but when she learns of Zack's deception, it could ruin any chance he had with his newfound dream girl! With a hip, modern soundtrack and a hilarious story that audiences loved, this great comedy is all that ... and more!This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by ! vacuous Taylor (Jodi Lyn O'Keefe) after spring break, he's left dateless for the all-important prom. With a little goading from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor.

What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally ! deflating and affectionate. Sure, high school could be bad som! etimes, but it was lots of fun too; this is a movie good-natured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartMARY HIGGINS CLARK:YOU BELONG TO ! ME - DVD MovieAl (Freddie Prinze Jr., from She's All That and I Know What You Did Last Summer) and Imogen (Julia Stiles from 10 Things I Hate About You) take turns narrating the story of their college romance. Al has a celebrity chef for a father (an amusing turn from Henry Winkler) and a rising porn star for a best friend (Zak Orth). The dialogue is stale, the story flounders, and the movie can't seem to decide whether it wants to be a sweet romance or a social satire. Down to You keeps dropping into odd fantasy bits that have nothing to do with, well, much of anything. But all the stars--including Selma Blair (Cruel Intentions) and Shawn Hatosy (Outside Providence) are pleasant and well groomed (well, except for Hatosy, who bears the brunt of being the poster boy for every fad of the '90s), and the soundtrack (featuring Cibo Matto, early David Bowie, Yo La Tengo, and others) is excellent. --Bret FetzerProving once and for! all that life can be an amazing journeyâ€"and a real tripâ€"t! his all- new Quantum Edition release of What The Bleep!? Down the Rabbit Hole utilizes cutting-edge DVD technology to create a unique version of the film with every viewing! The possibilities are endless...and so is the fun! Academy Award® winner Marlee Matlin is Amanda, a photographer suddenly transported into a metaphysical world of quantum mechanics, odd science and mind-bending phenomena. Guided by the world’s top physicists, engineers, biologists and mystics, she tumbles down the rabbit hole and gets a first-hand look at the fascinating links between science and spirituality in our everyday lives.Studio: Echo Bridge Home Ent Release Date: 04/19/2011 Run time: 366 minutes Rating: RParty Down is a Starz original series about a group of struggling dreamers who are stuck working for tips while waiting for their big break. As employees of the L.A. catering company “Party Down,” these misfits mingle with guests at everything from sweet sixteen parties to the most lavish Hol! lywood soirees. Follow these engaging wannabes as they wait on guests while waiting on something better to come along.

Stills from Party Down: Season 1 (Click for larger image)

The Coen Brothers Movie Collection (Fargo / Miller's Crossing / Barton Fink / Raising Arizona / Blood Simple)

• Fargo - Languages English and French, Subtitles English, French, Spanish
• Raising Arizona - Languages English and French, Subtitles English, Spanish
• Miller's Crossing - Languages English, Spanish, French; Subtitles English, Spanish
• Blood Simple - Language English, Subtitles English, Spanish, French
• Barton Fink - Languages English, Spanish, French; Subtitles English, Spanish

BLOOD SIMPLE - DVD MovieThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Fr! ances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghStudio: Tcfhe Release Date: 08/30/2011 Run ! time: 95 minutes Rating: RThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple establ! ished the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghCOEN BROTHERS GIFT SET - DVD Movie

Cold Shoulder Cowl Neck Tunic - CHARCOAL HEATHER (XXS)

• 95% viscose, 5% lycra.
• Hand wash.
• Imported.
• SKU 193561
• Style ASHLEY
• Model is 5'9" and is wearing a US size S.

DAY NIGHT/DAY NIGHT - DVD MovieBig-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche -- VOLCANO, WAG THE DOG), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stranded together on a deserted isle, Quinn and Robin quickly discover all the perils of paradise. As this mismatched pair find themselves facing danger at every turn, you're sure! to find their misfortunes fueling one of Hollywood's most entertaining action-comedy hits in years!The African Queen meets Swept Away in this sometimes labored romantic comedy by director Ivan Reitman. Fortunately, he cast an old pro in Harrison Ford, as Quinn Harris, a South Seas charter pilot who must ferry New York fashion editor Robin Monroe (Anne Heche) from one island to another--a hop that falls flat when they fly into a mammoth storm that causes them to crash on a deserted island. The pair resent and resist each other, until they are forced to team up to escape from the island--and some modern pirates who want their heads. If that part of the story is unconvincing, you can always focus on the smoldering comic chemistry between Heche, who displays strong comic instincts, and the ever-reliable Ford. The script is just an excuse for these two flinty characters to strike increasingly romantic sparks off each other, which is always enjoyable to watch. ! --Marshall FineJosh Harnett (Black Dahlia, Pearl! Harbor< /i>) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives - at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse - and screams.David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-ma! rshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently s! upercharged with suspense and violence to please most horror f! ans. Sta ndouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita

Stills from 30 Days of Night (click for larger image)

Beyond 30 Days of Night

On Widescreen DVD

Audio CD

Hardcover Book

A chic cowl neckline, half sleeves and ultra-soft drape gives this bebe tunic a luxe day-to-night vibe. Style it! with wet leggings and sky-high platforms for a seriously sexy! look. C enter back to hem: 25". Sleeve length: 27" with 7" opening.

Hidalgo (Full Screen Edition)

• A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his

A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his mustang Hidalgo enter the ultimate extreme sport of its time -- the Ocean Of Fire. Underdogs challenging ! the finest Arabian horses and riders, they must not only survive the grueling race across 3,000 miles of the Arabian Desert’s punishing terrain, but they must thwart the evil plots of competitors who vow victory at all costs! A great story of personal triumph, amazing special effects, and memorable characters make HIDALGO one of the most thrilling adventures ever.Director Joe Johnston has always had an entertaining sense of adventure, and with Hidalgo he proves it in spades. It's yet another underrated film for Johnston (along with such enjoyable popcorn flicks as The Rocketeer and Jurassic Park III), dismissed by many critics but a welcome treat for anyone drawn to good ol'-fashioned movie excitement. In his first role since playing Aragorn in the Lord of the Rings trilogy, Viggo Mortensen brings handsome appeal to his low-key portrayal of Frank T. Hopkins, a real-life long-distance horse racer who, as the movie opens, has witnessed the appall! ing massacre of Native Americans at Wounded Knee in 1890. Drif! ting int o Buffalo Bill's Wild West Show, he agrees to compete, with his trusty mustang, Hidalgo, in "The Ocean of Fire," a treacherous 3,000-mile horse race across the Arabian desert. Toss in a bunch of conspiring competitors, a noble sheik (Omar Sharif), his lovely daughter (Zuleikha Robinson), and enough fast-paced danger to fill 133 minutes, and you've got a rousing, humorous, and lightly spiritual adventure that's a lot of fun to watch. It hardly matters that it's almost pure fiction (the real Hopkins was known by many as "a pathological liar"). More important is the love of movies and moviemaking that Johnston so delightfully conveys. --Jeff Shannon

Friends & Lovers

• Condition: New
• Format: DVD
• Color; Dolby; DVD; Full Screen; NTSC

What happens when friends cross the line and become lovers? Lies fly, emotions erupt, and the stage is set for a totally uncensored, hilarious, and outrageously entertaining adventure in seduction, betrayal, heartbreak, revenge, and oh-so-sweet true love. Shelby Daniels and her best friend Debra Mitchell have just gotten off the sex-before-marriage merry-go-round with men. Each has gone looking for love, found love, lost love, and at this point, sworn off men forever-- until Debra meets Leonard DuBois, an aspiring stand-up comedian who tries to laugh his way into her heart. But the laughter stops when he is forced to confront some hurdles of his own. Debra has devoted her mind, body, heart and soul to God, so if he wants to ride with her, he'll have to produce the ring. In the meantime, feisty, nosy, attitude-pack! ing flight attendant Shelby keeps intervening in Debra's business. Needing someone to run interference and get rid of Shelby, Leonard calls on his best buddy, Tyrel, a sexy and charming computer software designer unable to design the perfect woman. On the rebound, Shelby keeps her heart locked away, but when Tyrel finds the key, the attraction is instant and so are the consequences. Their relationship moves at warp speed, leaving Shelby confronting a decision that could turn her whole life around and break both of their hearts. As a result, friendships fall by the wayside, jealousy come into play, and sisterhood is torn apart. It takes tragedy on a grand scale to reunite lovers destined for each other and teach both couples that friendship is perhaps the most valuable gift they've been given in this hilarious tale of friendship, love, and faith that speaks directly to the heart. Based on the best-selling novel by Eric Jerome Dickey (EJD).

Clash of the Gods: 3 - Disc Set

• Reacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating with real-life relevance.Thousands of years ago, they were used to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales where good and evil clash, and humanity and fantasy collid

Ian McKellen delivers a riveting award-winning performance as Hollywood horror director James Whale. It's 1957 and Whale's heyday as the director of Frankenstein Bride of Frankenstein and The Invisible Man is long behind him. Retired andia semi-recluse he lives his days accompanied only by images from his past. When his dour housekeeper Hannah (Lynn Redgrave) hires a handsome young gardener Clayton Boone (Brendan Fraser) the flamboyant director and simple yard man develop an unlikely friendship. Thi! s powerful and poignant relationship will change their lives forever.System Requirements:Starring Brendan Fraser Ian McKellen Lolita Davidovich Lynn Redgrave Directed by Bill Condon Running time: 105 minutes Copyright Lion's Gate 2003Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398833222 Manufacturer No: 71872One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into mela! ncholy remembrance of things past. Flashbacks of lost love, Wo! rld War  I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly ! affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, ! World War I battle trauma, and glory days in Hollywood combin! e with W hale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at onc! e a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood comb! ine with Whale's present-day attraction to a newly hired yard ! worker ( Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to Ja! mes Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonReacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating with real-life relevance.

Thousands of years ago, they were used to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales in which good and evil clash, and humanity and fantasy collide. But what is the reality behind these stories? From the epic tragedy of Medusa, Greek mythology s most infamous female fiend, to Hercules, its greatest action hero, and Hades, master of the land of the dead and a god so feared no one would speak his name, explore these myths and the legendary figures who inspired them in CLASH OF THE GODS. Each episode connects ancient myths to actual historical events, as well as to events in th! e Bible and other cultures mythologies, gaining important hist! orical i nsight from renowned scholars in search of the truth behind the legends.

This 10-part series on two discs travels back in time to reveal the stories behind some of history s most infamous mythological figures and legends including:

Zeus
Hercules
Hades
The Minotaur
Medusa
Odysseus: Curse of the Sea
Beowulf
Tolkien s Monsters
Thor
And moreIt's paradoxical that the most heavily invented and imagined parts in this 10-episode Clash of the Gods series are so much less riveting than the simple storytelling by scholars cast to recap the myths in classroom-lecture style. In these hour-long episodes, myths are dramatized with acting that borders on farce. Men pumping their muscles and grunting or monsters' eyes glowing flaccidly into the camera lens are marked periodically by CG blood splatters and modern primitive tattoo designs blazing across the screen that do nothing for Greek myth except make it feel oafish. Even narrator S! tan Bernard's rowdy, punctuated speaking style reminds one of narration for a detective show or a wrestling match instead of an educational documentary highlighting history's greatest mythic heroes. While modernizing ancient myth is a controversial topic, there are many reasons a television show visually explicating the classics to reach new generations is a great idea. But the erratic, hectic visual style of this series does a disservice to already-exciting stories that, according to the show's mission, explain the ancient world's belief that nature was subject to the gods. Clash of the Gods' other premise, more in keeping with its sensationalistic tone, is to expose hidden truths behind the myths.

The majority of the series devotes episodes to the rise of the Olympian gods, beginning with Zeus's battle with his father, Kronos, and the Titans. Images of Zeus with a ridiculous white lightning bolt painted across his face repeat ad nauseam throughout to supposedly! show how Zeus took control of mortal earth until consumed by ! his "unc ontrollable sex drive." Likewise, the episode "Hercules" depicts a well-oiled man in tight underwear roaming the desert to elucidate how he is the world's "ultimate superhero." Only scholars like Tom Stone, who humorously likens Hercules to Babe Ruth, or Michael Fontaine from Cornell University, do any justice to the exploration of metaphorical connections between Hercules's 12-challenge quest and the ordeals humans were experiencing when the myth was popular. "Minotaur" better achieves its aim to link truths to the myth, by linking historical wars between the Cretans and Athenians to the horrific tale of the man-eating Cretan beast, deemed Athenian propaganda by historians like David George at Saint Anselm College. Also meaningful is the narrative thread in this episode about Theseus's dual fathers, one mortal and one god, and the fantastic connection between historical politicians, such as Alexander the Great, who believed that they too were conceived of two men. While "Me! dusa," the two-episode "Odysseus," and "Beowulf" do zilch to enlighten beyond basic redundant storytelling, the lamest episode of all is "Tolkien's Monsters," a heavy-handed look at how J.R.R. Tolkien's Middle Earth was inspired by his days in the trenches during World War I. While the information in this series is informative and interesting, simulated drama and footage that repeats as if the History Channel ran out of material to edit in makes for possibly the worst series on mythology out there. Save your money and read the books instead. --Trinie Dalton

Adventureland

• From thedirector of SUPERBAD comes ADVENTURELAND, a smart, witty comedy we canall relate to. When James Brennan (Jesse Eisenberg) has to cancel hisdream summer vacation and make some money for grad school, the only jobhe can get is at Adventureland, a tacky amusement park where the gamesare rigged and the rides make you hurl. But it's where he meets Em(Kristen Stewart, TWILIGHT), and his rollercoa

When James Brennan (Jesse Eisenberg) has to cancel his dream summer vacation and make some money for grad school, the only job he can get is at Adventureland, a tacky amusement park where the games are rigged and the rides make you hurl. But it's where he meets Em (Kristen Stewart) and his roller coaster ride to nowhere turns into the best summer ever. Filled with a carnival of colorful characters and set to a killer soundtrack, Adventureland is the kind of adventure we could all use more of!A sweet! and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedies, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t ! shy from the crude laughs that make Apatow’s features so popular, but he tempers it with a wistful tone and layered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul GaitaADVENTURELAND - DVD MovieA sweet and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedie! s, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t shy from the crude laughs that make Apatow! ’s features so popular, but he tempers it with a wistful ton! e and la yered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul Gaita

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The Dukes of Hazzard: The Complete First Season

• Actors: Tom Wopat, John Schneider, Catherine Bach, Denver Pyle, James Best.
• Format: Closed-captioned, Color, DVD, Subtitled, NTSC.
• Language: English (Dolby Digital 2.0 Mono). Subtitles: English, Spanish, French.
• Region: Region 1 (U.S. and Canada only).
• Not Rated. Run Time: 637 minutes.

Join Luke and Bo Duke--a couple of good old boys--and their cousin Daisy Duke as they stay just ahead of the sheriff in their souped-up 1969 Dodge Charger, The General Lee, and have fun thwarting the plots of the corrupt county boss.

DVD Features:
Audio Commentary:Commentary by John Schneider and Catherine Bach {episode: One Armed Bandits}
Documentary:The 20th Anniversary Hazzard County Barbeque {reunion documentary RT 30:00}
Featurette:Dukes Driving 101: A High Octane Salute {featurette including interviews w/ professional race car drive! rs RT 8:00}
Other:The Dukes of Hazzard : The Return of the General Lee video game trailer

The Dukes of Hazzard was part of America's redneck fetish in the mid-to-late 1970s, otherwise evident in popular songs, movies, and television shows highlighting fast cars, truckers, citizens' band radio, moonshine, irreverent hicks, and clueless lawmen. Created by writer-producer Gy Waldron and inspired by his own 1975 bootlegging comedy, Moonrunners, Dukes milked seven seasons of material from the tale of a Deep South family of reformed whiskey-makers and their running feud with a greedy impresario and his chief lackey, a buffoonish, venal sheriff.

This three-disc set includes all 13 initial episodes of Dukes from 1979, a period fans fondly recall because some of the programs were shot on location in Covington, Georgia, rather than a Burbank backlot. Also noteworthy is that a couple of key characters, particularly Hazzard County's co! rrupt lawman, Roscoe P. Coltrane (James Best), hadn't gelled y! et into permanent hayseed stereotypes and were arguably more interesting at the beginning. At the center of the action is Sheriff Coltrane's nemeses, cousins Bo Duke (John Schneider) and Luke Duke (Tom Wopat), a couple of wild boys buzzing through the backwoods in the "General Lee," a souped-up Dodge Charger. Bo and Luke are good at heart but have to behave themselves while on indefinite probation, complicating but not halting their efforts to vex Roscoe and his patron, diminutive bigwig Boss Hogg (Sorrell Booke). The enmity runs both ways: Roscoe and Boss Hogg, with the aid of witless Deputy Enos Strate (Sonny Shroyer), dream up ways of eliminating the Dukes--including their wise old Uncle Jesse (Denver Pyle)--but their efforts always backfire.

While every episode is a variation on the previous one, predictability is a virtue in Dukes. The series pilot, "One Armed Bandits," finds Luke and Bo, with help from their sexy cousin, Daisy (Catherine Bach), diverting slot machi! nes (smuggled into Hazzard County by Roscoe and Boss Hogg) to sundry watering holes where they can raise money for Bo's girlfriend's charity. In "Money to Burn," Boss Hogg tries to frame Bo and Luke for robbing an armored truck, while in "Deputy Dukes," the unarmed guys are forced by Roscoe to escort a deadly prisoner from one town to another. The Dukes hit back in "Daisy's Song," investigating a scam that took Daisy for $50 and implicates, of course, Boss Hogg and Roscoe.

Yes, it's a show about rubes, car stunts, and a legacy of moonshine, but there's something comforting about it, in a tongue-in-cheek way. --Tom Keogh

The Hunchback of Notre Dame (Signet Classics)

• ISBN13: 9780451531513
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Here is the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to the author's brilliant imagination.

I Love Sarah - 2008 Presidential Election Bumper Stickers (Medium 10x2.8 in.)

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A second-tiered triad member vying aggressively for the position of godfather is restrained by the current mob boss who isn't officially eligible for reelection. This leads to a bloody and cutthroat battle of wills between the two men, carried out in a shocking and ultra-violent fashion culminating in an ending that will take your breath away!The recent elections in Egypt and Russia have important lessons for both Washington and Beijing about the limits of authoritarianism and Western-style liberalism. Beijing must be concerned about how neither the Kremlin nor Egypt’s military could “guarantee” the election results. And thoug! h the U.S. may take comfort in the fact that the elections took place at all, the results are troubling.The recent elections in Egypt and Russia have important lessons for both Washington and Beijing about the limits of authoritarianism and Western-style liberalism. Beijing must be concerned about how neither the Kremlin nor Egypt’s military could “guarantee” the election results. And though the U.S. may take comfort in the fact that the elections took place at all, the results are troubling.Director: Johnnie To (Sparrow, Breaking News) Starring: Louis Koo (Accident, Overheard), Gordon Lam, Nick Cheung (Beast Stalker, Exiled), Simon Yam (Election, Vengeance), Mark Cheng DVD Region: Region 0 (Free) Languages: Cantonese, Mandarin Subtitles: English, Traditional Chinese, Simplified Chinese DVD Audio: Dolby Digital 5.1 Running Time: 93 minutes Format: NTSC (Please ensure your BD player is compatible) Distributed By: Panorama
From the Lunch at The Ritz 2 Go® USA Collection. This Add-A-Charm can be attached and worn as an additional piece on any of our Bracelets, Necklaces, or Pins (sold separately). All Charms are interchangeable. Start your collection today! 1.25" Long by 1.0" Wide. Gold Finish. Designed by Esme Hecht and Zander Elliott. Made in the USA. © Lunch at The Ritz Earwear, Inc.Size: Medium 10 x 2.8 inches. Perfect for your car, truck, motorhome, office cubicle, etc.

Biography: Frida Kahlo

• Portrait of the Mexican artist who began painting at age 15 while convalescing from a serious accident. Frida Kahlo sent her work to the great Diego Rivera, whom she later married. Pain, which dogged her all her life, and the suffering of women, are recurring and indelible themes in her often shocking works. Characterized by vibrant imagery, many of her pictures are striking self-portraits. For

Nominated for 6 Academy Awards including Salma Hayek for Best Actress, Frida is a triumphant motion picture about an exceptional woman who lived an unforgettable life. A product of humble beginnings, Frida Kahlo(Hayek) earns fame as a talented artist with a unique vision. And from her enduring relationship with her mentor and husband, Diego Rivera(Alfred Molina), to her scandalous affairs, Frida's uncomprimising personality would inspire her greatest creations! Also starring Antonia Banderas, Ashley Ju! dd, Edward Norton, and Geoffrey Rush!Salma Hayek makes up for many bad movies with her fierce performance in this sumptuous film. Hayek plays the Mexican surrealist painter Frida Kahlo, whose tempestuous life with her unfaithful husband, muralist Diego Rivera (Alfred Molina), drives the story of Frida. Maverick director Julie Taymor (Titus, the Broadway stage production of The Lion King) pulls out a wealth of gorgeous visuals to capture everything from the horrific bus accident that damaged Kahlo's spine to her and Rivera's trip to New York City, where Rivera's political leanings ruptured a commission from the Rockefeller family. Though the script spends too much time telling us how great Frida's painting is (rather than trusting in the power of the images themselves), Taymor's dynamic energy and Kahlo's forceful personality give Frida genuine emotional impact. The superb cast includes Roger Rees, Valeria Golino, Ashley Judd, Geoffre! y Rush, Antonio Banderas, and Edward Norton. --Bret Fetzer! Nomi nated for six 2002 Academy Awards(R), including Salma Hayek for Best Actress, FRIDA is the triumphant motion picture about an exceptional woman who lived an unforgettable life! A product of humble beginnings, Frida Kahlo (Hayek) earns fame as a talented artist with a unique vision. And from her enduring relationship with her mentor and husband, Diego Rivera (Alfred Molina -- CHOCOLAT), to her scandalous affairs, Frida's uncompromising personality would inspire her greatest creations! Also starring Antonio Banderas (SPY KIDS), Ashley Judd (KISS THE GIRLS), Edward Norton (RED DRAGON), and Geoffrey Rush (QUILLS).Salma Hayek makes up for many bad movies with her fierce performance in this sumptuous film. Hayek plays the Mexican surrealist painter Frida Kahlo, whose tempestuous life with her unfaithful husband, muralist Diego Rivera (Alfred Molina), drives the story of Frida. Maverick director Julie Taymor (Titus, the Broadway stage production of The Lion Ki! ng) pulls out a wealth of gorgeous visuals to capture everything from the horrific bus accident that damaged Kahlo's spine to her and Rivera's trip to New York City, where Rivera's political leanings ruptured a commission from the Rockefeller family. Though the script spends too much time telling us how great Frida's painting is (rather than trusting in the power of the images themselves), Taymor's dynamic energy and Kahlo's forceful personality give Frida genuine emotional impact. The superb cast includes Roger Rees, Valeria Golino, Ashley Judd, Geoffrey Rush, Antonio Banderas, and Edward Norton. --Bret FetzerNominated for 6 Academy Awards® including Salma Hayek for Best Actress, FRIDA is the triumphant motion picture about an exceptional woman who lived an unforgettable life! A product of humble beginnings, Frida Kahlo (Hayek) earns fame as a talented artist with a unique vision. From her enduring friendship with her mentor and husband, Diego R! ivera (Alfred Molina, THE DA VINCI CODE), to her scandalous af! fairs, F rida's uncompromising personality would inspire her greatest creations. Also starring Antonio Banderas (PUSS IN BOOTS) Ashley Judd (DOLPHIN TALE), Edward Norton (THE INCREDIBLE HULK) and Geoffrey Rush (THE KING'S SPEECH), at heart this vibrant film is ultimately a "romance for the deeply romantic" (Salon.com).

This long-awaited companion to Jonah Winter's acclaimed DIEGO features the paintings of young Spanish artist, Ana Juan. This stunning picture book is the perfect gift for art enthusiasts of all ages.

When her mother was worn out from caring for her five sisters, her father gave her lessons in brushwork and color. When polio kept her bedridden for nine months, drawing saved her from boredom. When a bus accident left her in unimaginable agony, her paintings expressed her pain and depression - and eventually, her joys and her loves. Over and over again, Frida Kahlo turned the challenges of her life into art. Now Jonah Winter and Ana Juan have drawn on both ! the art and the life to create a playful, insightful tribute to one of the twentieth century's most influential artists. Viva Frida!

Beset by one shattering ordeal after another, world-renowned painter Frida Kahlo always managed to channel her anguish into creativity. Frida, by Jonah Winter and illustrator Ana Juan, is an exquisite and playful glimpse into the artist's life and work. Filled with the folk art icons of Frida's Mexican culture--monkeys, devils, smiling skeletons, and sympathetic jaguars depicted with acrylics and wax on paper--the book describes, in short streams of text, the feisty, irreverent, fierce nature of the artist. One especially memorable illustration, based on one of Frida Kahlo's own paintings, shows Frida herself caught in a tangle of thorns against a mournful blue night sky. The text reads, "After the accident ... her body will hurt, always." Author and illustrator's notes add background information, but this stun! ning book from the author of Diego, about famed Mex! ican mur alist (and husband of Frida) Diego Rivera, is a spectacular, lush introduction to an inspiring woman and her art. (Ages 5 to 8) --Emilie CoulterFRIDA - DVD Movietitolo-fridaetichetta-deutsche grammophonn. dischi1data20 gennaio 2003supportocd audiogenerecolonne sonore-brani----1.benediction and dreamsascolta2.the floating bedascolta3.el conjevoascolta4.paloma negraascolta5.self portrait with air downascolta6.alcobShe was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-cl! assic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulleyPortrait of the Mexican artist who began painting at age 15 while convalescing from a serious accident. Frida Kahlo sent her work to the great Diego Rivera, whom she later married. Pain, which dogged her all her life, and the suffering of women, are recurring and indelible themes in her often shocking works. Characterized by vibrant imagery, many of her ! pictures are striking self-portraits.

A Good Old Fashioned Orgy Poster - 2011 Movie Teaser Flyer - Jason Sudeikis

• Teaser Flyer to promote the 2011 Movie A Good Old Fashioned Orgy
• A Good Old Fashioned Orgy Teaser Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

A group of 30-year-olds who have been friends since high school attempt to throw an end-of-summer orgy Studio: Sony Pictures Home Ent Release Date: 12/27/2011 Starring: Jason Sudeikis Lake Bell Rating: R Director: Alex Gregory Peter HuyckA gaggle of best friends from college decide to get even more intimate in A Good Old Fashioned Orgy. Eric (Jason Sudeikis, Horrible Bosses) throws notoriously loud, over-the-top parties at his father's beach house--so when his father decides to sell it, Eric feels he has to throw one last bash to say farewell. But this time, rather than a big public party, he and his friends (Lake Bell, Michelle Borth, Nick Kroll, Tyler Labine! , Angela Sarafyan, Lindsay Sloane, and Martin Starr) decide to revive the 1970s with a private orgy. The movie harks back to raunchy 1980s R-rated comedies, but A Good Old Fashioned Orgy never finds its tone. Eric and his friends are self-absorbed, dithering, and just not very interesting people; Eric, in particular, is a smarmy trust fund baby whose attraction to a lithe real-estate agent (Leslie Bibb, Popular) plays out like an adolescent crush… which would be charming if Eric were adolescent, but he's in his 30s. Maybe the idea is that this petty crew confront their emotional limitations when they try to be sexually adventurous, but the results are neither revelatory nor even surprising. It doesn't help that the guys are ordinary looking to outright schlubby, while the women are all model-thin (and yet, of course, neurotic about their attractiveness). Some flashes of humor here and there, but overall, a misfire. --Bret FetzerA Good Old Fashioned Or! gy Flyer

Man Woman & Child

• Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematograp

No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is t! he powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to ! discover a cure for global infertility. As they carefully navi! gate bet ween the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Featur! e Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cu! re for global infertility. As they carefully navigate between ! the batt ling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonTold with P. D. James’s trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future.

The human race has become infertile, and the las! t generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.Set in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riv! eting cautionary tale of potential things to come. Set in the ! crisis-r avaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture th! e action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonUniversal Pictures Children of Men (Combo HD DVD and Standard DVD) In 2027 as humankind faces the likelihood of its own extinction a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where her childs birth may help scientists to save the future of mankind.Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cauti! onary tale of potential things to come. Set in the crisis-rava! ged futu re of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action wi! th you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonJust when Faela Durante dared to hope that her mission of atonement might succeed, it all shattered with the senseless massacre of the Tereskan healers in Kilrood. None survived the slaughter, not even her son. With her mentor, Ianos Wilkerson, missing and presumed dead, Faela and her new allies must heed Rivka’s dying prophecy in order to stand against the coming darkness. But old allies have turned into bitter enemies, and the darkness is spreading. Will Faela rediscover her! purpose before it’s too late, or will her desire for reveng! e lead t o her end?Growing up during the chaos of the Nabosian War, Faela Durante and her entire generation never knew what it meant to live in a time of peace.  Though the war ended years ago, the devastation has not.  Every decision, no matter how seemingly insignificant, has a consequence and some consequences can never be predicted.  But some are foretold.

Less than a year ago, Faela, the first Tereskan mind healer in generations, disappeared from her family home in Finalaran scared and pregnant. Hunted and living as an outcast, Faela searches for a legend that might be her only hope of gaining atonement and returning to her son. When her journey collides with two strangers and a prophecy, she must choose between trusting those around her or accomplishing her mission.  Haunted by her past, the consequences of Faela's choices may endanger more than her own fate.Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ! ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematography of Richard H. Kline (Body Heat, King Kong), Man, Woman and Child is a beautiful film of love and forgiveness with exceptional performances and skillful direction.