Sunday, December 4, 2011

Calendar Girls

  • When 12 ordinary members of the Women's Institute, a prim and proper local ladies' club, decide they need to find a more compelling way to raise money for a new charity, they turn to their traditional annual calendar and give it a very untraditional twist. Behind the usual baked goods, the apple pressing, and the flower arrangements are the women -- completely nude! Starring 2003 Golden Gl
When 12 ordinary members of the Women's Institute, a prim and proper local ladies' club, decide they need to find a more compelling way to raise money for a new charity, they turn to their traditional annual calendar and give it a very untraditional twist. Behind the usual baked goods, the apple pressing, and the flower arrangements are the women -- completely nude! Starring 2003 Golden Globe nominee Helen Mirren (Best Actress, CALENDAR GIRLS) and Julie Walters (HARRY POTTER AND THE CHAMBER OF SECRETS), CAL! ENDAR GIRLS is a terrifically entertaining comedy. And that's the naked truth.In the sensible yet elegant hands of actresses Helen Mirren and Julie Walters, Calendar Girls walks a fine line between sappiness and snickering and ends up both wonderfully funny and gently touching. When her best friend Annie (Walters, Billy Elliot) loses her husband, Chris (Mirren, Prime Suspect, Gosford Park) cooks up a scheme to memorialize him: They and their friends--all fiftysomething women--will make a nude calendar to raise money for the hospital where he died. The calendar becomes hugely popular, but the success may drive a wedge between the two women's friendship. Based on an actual event, Calendar Girls carefully balances the stories of several women as it follows the calendar's media explosion, becoming a surprisingly moving fable of loss, determination, and the perils of fame. And let's face it--Helen Mirren is one of the wittiest and sexiest women! alive, clothes on or not. --Bret Fetzer

The Bucket List

  • You only live once, so why not go out in style? That?s what two cancer- ward roommates, an irascible billionaire (Jack Nicholson) and a scholarly mechanic (Morgan Freeman), decide when they get the bad news. They compose a bucket list ? things to do before you kick the bucket ? and head off for the around-the-world adventure of their lives. Sky dive? Check. Power a Shelby Mustang around a racetrac
You only live once, so why not go out in style? That’s what two cancer- ward roommates, an irascible billionaire (Jack Nicholson) and a scholarly mechanic (Morgan Freeman), decide when they get the bad news. They compose a bucket list â€" things to do before you kick the bucket â€" and head off for the around-the-world adventure of their lives. Sky dive? Check. Power a Shelby Mustang around a racetrack? Check. Gaze at the Great Pyramid of Khufu? Check. Discover the joy in their lives before it’s! too late? Check! Under the nimble direction of Rob Reiner, the two great stars provide the heart and soul, wit and wiles of this inspired salute to life that proves that the best time of all is right now."You measure yourself by the people who measure themselves by you," says the quietly wise Carter Chambers, played with gravitas and grace by a Morgan Freeman. In Rob Reiner's moving, often hilarious film The Bucket List, all sorts of people measure themselves against the two heroes, Chambers and his hospital suitemate, Edward Cole (Jack Nicholson). But as Cole finds, having spent his entire life building a Fortune 500 company, none of that much matters when cancer, the great equalizer, pays a visit. The film traces the adventures of the two unlikely friends, who meet in a hospital cancer ward, each given six months to live. The "bucket list" of the title refers to a lifelong list of goals that a teacher of Chambers once advised him to compile--and achieve--"before y! ou kick the bucket." Soon the two are off on what may be the l! ast gran d adventure of their life, vowing to tick off as many goals (skydiving, race-car driving, seeing the wonders of the world) as they can in the time they have left. What starts as a medical melodrama becomes a road trip, yet the men's mortality realities are never far from thought. The two leads give impressive performances, and remind the viewer of just how few American films focus on the lives and loves of senior citizens. Nicholson even manages to lose his persona in his character, much as he did in About Schmidt. There's a lovely John Mayer tune, "Say (What You Need to Say)," that's perfectly matched to the film's clear-eyed view of life: What does one person leave behind as his true legacy? --A.T. Hurley